As you may have heard we are looking for reader QuickTips for this 2018 edition of #28daysofQuickTips including Final Cut...

As an editor I don’t do a lot of extensive color grading in DaVinci Resolve but every now and...

More video is being produced and distributed than ever before. In this new media landscape, speed has become critical...

The new 16 million pixel panel using Ultra-D technology for glasses-free 3D was announced at 2018 CES, but the...

This is the first of our reader QuickTips which comes to us courtesy of Clark Morris, Senior Editor of...

At some point last year I learned that my local library had access to Lynda.com. It wasn’t well publicized...

I’ve mentioned Cocatech’s $40 Mac OS Finder replacement application Path Finder a time or two in the past. Even...

There was a Facebook post in an Avid editing group the other day that reminded me of one of...

One of the strengths of Final Cut Pro X is its fancy graphics and titles, courtesy of Motion templates,...

This week on MacBreak Studio, I show Ripple Training’s Steve Martin how you can use the new color tools...

This is a simple little thing that makes the already fast Final Cut Pro X even faster: if you hold...

I’m still quite perplexed that nearly 7 years after its release Final Cut Pro X still doesn’t have an audio-only...

Many Avid Media Composer editors rarely travel to their Project panel beyond opening bins and accessing they settings. But there’s...

The film Clara’s Ghost premiered recently as part of the 2018 Sundance Film Festival NEXT program. Written and directed...