Sony Xperia 1 II’s Cinema Pro: non-integer framerates?
My long time readers know that exact 30 fps hasn’t been a television standard since before 1953. That was...
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Fujifilm X-T4 video/audio features go almost all the way
The new Fujifilm X-T4 camera is both WorldCam and CinemaCam! This means that it can record formats for worldwide...
Canon EOS RP full-frame camcorder US$999 Rich Port observations
The unusual name of the Canon EOS RP mirrorless hybrid camera reminds me of the English translation of the...
Why NewTek castrated the TriCaster Mini’s software (2019)
In November 2019, I applauded NewTek for streamlining the hardware in the new TriCaster Mini (2019), in an act...
Is your camera WorldCam & CineCam too?
In past articles, I have praised the benefits of WorldCams, especially for independent producers and camera operators. Unlike with...
6 tricks with the RØDE Wireless GO mic system (TLDR Filmmaker)
While I await the review unit of the RØDE Wireless Go microphone system (which I first covered upon its...
What’s missing from the new full-frame Panasonic Lumix cameras?
Many videographers are excited about the new full-frame Panasonic Lumix DC-S1 and DC-S1R cameras, without noticing a few key...
Review: Simply Sound SS-1 pre-preamp, like elevator shoes for dynamic mics
This is a review of the SS-1 pre-preamp from The Simply Sound Company from Salt Lake City (Utah, United...
The Best of ProVideo Coalition: 2018
Important updates to existing software, new cameras and popular products reaching their end of life were just some of...
Blackmagic “Pocket” Cinema Camera 4K vs competition: Canon, JVC, Panasonic and Sony
The recently announced US$1295 Blackmagic “Pocket” Cinema Camera 4K offers unique features in its price category, including: 13 stops...
