Boris FX acquires GenArts and the Sapphire effects package
Blue and green screen go… Blackmagic
At IBC 2016 Blackmagic Design announced, today, it acquired the world’s number one realtime blue and green screen compositing...
Da Vinci Resolve update for IBC 2016
The new update, available free of charge, for Da Vinci Resolve adds support for additional URSA Mini camera metadata,...
iPhone 7 Plus multi-sensor smartphone, and the 5 questions I asked Apple PR
Yesterday, Apple announced its new iPhone 7 and iPhone 7 Plus phones, with major upgrades for both audio and...
Sony Z150 Camera Review
Is the Sony Z150 one of the lowest priced professional 4K camcorders on the market? For a brand new...
Three new Zeiss Milvus lenses for IBC 2016
The Zeiss Milvus lens family with manual focusing for DSLR cameras is now also available with focal lengths of...
Locating missing FX in Final Cut Pro X
This week on MacBreak Studio, I show Steve Martin from Ripple Training a product that helps you to locate...
Ang Lee: frame rate as a creative tool
Filmmaker’s Ang Lee latest feature Billy Lynn’s Long Halftime Walk unprecedent blend of visual formats is again theme for...
Vinten Vantage: a robotic head in the studio
Presented as a clear upgrade from the traditional PTZ solution, the Vinten Vantage compact robotic head uniquely enables the...
An Extremely Versatile Tripod System – Sachtler FSB10 T Review
Sachtler is introducing their new FSB10 T fluid head and tripod system, which is an exciting new addition to...
Panasonic: new VariCam Pure at IBC 2016
Ideal for episodic television and features, the VariCam Pure is the latest addition to Panasonic’s family of professional cinematography...
SIGMA Announces New Cine Lenses
The SIGMA CORPORATION is pleased to announce that it will enter into the cinema lens market with the release...
Titan: live-switch a “3-camera show” from one 4K feed
Convergent Design has found yet another way to enhance the Odyssey and Apollo monitor/recorders. The Titan HD Extract option, available...
Titan: transform one 4K in three HD
Many cameras can shoot in 4K today, but most clients still want HD. How can a 4K camera become...
The first 4K UHD Broadcast studio zoom lens
The new lens, designed for 4K UHD broadcast cameras employing 2/3-inch sensors provides, according to Canon, excellent handling and...
