ART OF THE CUT with Oscar nominee Andrew Mondshein, ACE on editing “Ma Rainey’s Black Bottom”
The Cinematography of FATMAN // Johnny Derango Interview
Recently I was given the opportunity to interview Cinematographer Johnny Derango (Small Town Crime, Lost on Purpose), who returns...
Art Of The Cut Podcast Eps. 79 (“Ma Rainey’s Black Bottom” Editor Andrew Mondshein, ACE)
The Art of the Cut podcast brings the fantastic conversations that Steve Hullfish has with world renowned editors into...
The 10 Adobe Premiere Pro and After Effects updates in 2020 that should be part of your workflow
If you’ve been using Adobe video applications for a long time it’s easy to miss new features that arrive...
NDI|HX Camera for Android app is now available
NDI unveiled this month the much-anticipated NDI|HX Camera for Android users, to be used in conjunction with the free...
DoPchoice: new Snapbags for Helios and Titan lights
Made to give filmmakers maximum control of their lighting, the new DoPchoice Snapbags feature an all-new secure and intuitive...
Review: HandShaker transfer-macOS for Android devices + Auphonic crossgating resolution
Auphonic is still the king of automatic crossgating to reduce crosstalk among multiple microphones (especially when there is much...
Making Virtual Production a reality for independent films
Virtual Production is becoming a practical solution for mainstream productions that need to consider social distancing and budget. A...
Silicon Power 256GB CFX CFast 2.0 Review
Budget-friendly camera approved memory cards are a pleasant combination. Silicon Power appears to have such a combination. Silicon Power...
PVC Podcast Eps 29: Looking Back At 2020 & Ahead To 2021
On this end of year episode of the PVC Podcast, Scott connects with podcast regulars Gary Adcock and Michael...
Review: PreSonus PD–70 impoppable dynamic studio microphone
Here is my review on the PD–70 dynamic studio microphone. For the human voice, it sounds great, isolates well...
Avid end the year with Media Composer 2020.12
I have to admit that Avid Media Composer hasn’t been front and center on my editing radar this year as...
Sony to reveal all new Direct-View Display tech in January
Sony will start 2021 unveiling “the next Sony breakthrough in premium Direct-View Display technology to faithfully bring content to...
After Effects Classic Course: Rigid Mask Tracker
Following up on our recent posts about the Warp Stabilizer and 3D Camera Tracker, in one of the first...
Sirui 24mm f/2.8 1.33x anamorphic lens for 5 different mounts
The new Sirui 24mm f/2.8 1.33x anamorphic lens with five options of mounts – M4/3, Sony E, Fuji X,...
