The  crowds you see in many pivotal boxing matches in the film Big George Foreman where created in DaVinci...

On this week’s episode, Kenny talks with cinematographer Brett Jutkiewicz about “Scream VI.” Enjoy the episode! Frame & Reference...

I never met Reynold Vincent “René” Anselmo (1926–1995) personally. To date, I have never met or even conversed with...

For the first time filmmakers who use ARRI Signature lenses can add their favorite Tiffen Filters to the ARRI...

With only six small, lightweight sensors that provide studio-free, full-body motion capture experience, Sony’s “mocopi” lets creators pursue their...

Chaos Vantage 2 is out now, giving artists the ability to explore massive, production-quality 3D scenes (complete with full...

On this weeks episode Kenny talks with cinematographer Xavier Dolleans, AFC about the Peacock series “Mrs. Davis.” Enjoy the...

As expected by mid-year, we’re much further along with AI tool development (and Generative AI Tools) than what one...

With the upgrade the ZV-1E joins, according to the company, a roster of Sony cameras featuring 4K 120p video...

The new Insta360 GO 3 offers improved image quality to shoot in 2.7K, 50% longer battery life compared with...

Featuring a back panel opening that enables quick, easy access to the pack’s 17-liter camera compartment, the BackLight XP...

On this week’s episode Kenny talks with VFX guru and cinematographer Gary H. Lee about “The Magician’s Elephant.” Enjoy...

After Effects 23.5 is live, and it includes important fixes that enable you to work more efficiently in After...

Artist-friendly renderers gain decal blending, simulation fly-throughs and more in latest update of Chaos Corona 10. Whether they’re trying...