Q&A: Delivering Good Spatial Video
I hear that the new Final Cut Pro 11 supports Spatial video editing! What’s that? Spatial video is stereoscopic...
RØDE Wireless GO (Gen 3) w/inboard 32-bit float recording-compared w/Wireless Micro
Less than a month ago, I published my review of the US$149 Wireless Micro system, including a video with...
Sony MR Cruise: Mixed Reality on wheels
Meet the “Time Trip Taxi”, a special service launched this month in Japan: it’s a taxi specially equipped to...
Join the Nashville Filmmakers Guild for a Sir Roger Deakins weekend.
If you are a cinematographer or anyone interested in the camera department, then you will want to join the...
Atomos Shinobi ll review
The Atomos Shinobi ll is the third non-recording monitor in the Atomos Shinobi series. The original Shinobi 5in monitor...
Live multicam autoswitch robotic TD (Technical Director) capabilities w/ Aaron Parecki video
At least since I first became involved in live multicam television studio productions in the eighties here in the...
Two Small Gimbals – The Insta360 Flow Pro and the DJI RS 3 Mini
The Insta360 Flow Pro and the DJI RS 3 Mini are two great small gimbals, though they don’t compete...
Interview: top Netflix documentary director Alessandro Angulo «Brothers by accident» | «Hermanos por accidente»
I recently had the honor of interviewing top Netflix documentary director Alessandro Angulo Brandestini on his recent production of...
Exploring the extremes of dynamic range
When camera manufacturers start talking (or at least creatively leaking) about twenty-plus-stop cameras, it might not be too much...
NiSi Athena Tuned: a limited edition series of cinema lenses
Crafted to emulate the aesthetics of vintage cinema lenses, the Athena Tuned lenses from NiSi are available in a...
