Quick Look: Blackmagic URSA Cine Immersive
Blackmagic’s URSA Cine Immersive camera has transitioned from an announcement into something you can actually pre-order, with deliveries set...
Light Sock’s Lineup – Versatile Tools for Gaffer’s & DP’s
Pro Video Coalition sent contributor Alec C. Cohen to Cinegear Atlanta to see new developments in film tech. In...
Exploring Cameo Lighting’s Innovations at LDI 2024
The LDI 2024 tradeshow once again proved itself as the premier event for showcasing cutting-edge lighting technology, with Cameo...
Select Canon EOS cameras get a cropping guide for $120
The new Cropping Guide feature from Canon provides on-screen guidelines that help shooters position subjects with precision, helping to...
Q&A: Delivering Good Spatial Video
I hear that the new Final Cut Pro 11 supports Spatial video editing! What’s that? Spatial video is stereoscopic...
RØDE Wireless GO (Gen 3) w/inboard 32-bit float recording-compared w/Wireless Micro
Less than a month ago, I published my review of the US$149 Wireless Micro system, including a video with...
Sony MR Cruise: Mixed Reality on wheels
Meet the “Time Trip Taxi”, a special service launched this month in Japan: it’s a taxi specially equipped to...
Join the Nashville Filmmakers Guild for a Sir Roger Deakins weekend.
If you are a cinematographer or anyone interested in the camera department, then you will want to join the...
Atomos Shinobi ll review
The Atomos Shinobi ll is the third non-recording monitor in the Atomos Shinobi series. The original Shinobi 5in monitor...
Live multicam autoswitch robotic TD (Technical Director) capabilities w/ Aaron Parecki video
At least since I first became involved in live multicam television studio productions in the eighties here in the...
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