Live 3D Stereoscopic editing in Apple Vision Pro
Final Cut Pro 11’s Spatial Video support is good, but currently missing a key feature: the ability to preview...
4:3 programs upscaled to HD or 4K: technical & aesthetic decisions
I have previously covered some of the options when upscaling 4:3 programs to HD or 4K while retaining the...
After Effects News December 2024
After Effects 25.1 is the current version, with no big recent announcements. The December 2024 (25.1) release includes important...
Looking back on 2024 and ahead to 2025 – A PVC Roundtable Discussion
While the hosts of the Alan Smithee podcast already discussed the evolving landscape in media and entertainment as 2024...
Tool Tip Tuesday for Adobe Premiere Pro: What we’re most looking forward to in the next year in Premiere.
Welcome to Tooltip Tuesday for Adobe Premiere Pro on ProVideoCoalition. Last week, Scott and Jeff showed what features they...
HDMI 2.2 will be announced at CES 2025
The announcement of a new specification for HDMI, offering higher bandwidth, will be made at CES 2025, and some...
Time to stop hating Avid Titler+!
So, are we? You know, done hating on Avid’s Titler+? A quick history lesson on how we got here...
Tool Tip Tuesday for Adobe Premiere Pro: What are we thankful for from updates this past year
Welcome to Tool Tip Tuesday for Adobe Premiere Pro on ProVideo Coalition. To wrap up 2024 and Tool Tip Tuesday...
Color Management Part 25: Corporate Brand Colors and ACES
For certain sectors of the industry, working with corporate branding colors is a critical aspect of the job. In...
The Angry Editor: Template Search is the new Music Search time suck
Welcome to The Angry Editor. For years I’ve teased the idea of The Angry Editor as a regular column here on...
