Boris FX acquires GenArts and the Sapphire effects package
Here’s a little bit of acquisition news that is worth noting for editors out there: Boris FX has acquired GenArts,...
Locating missing FX in Final Cut Pro X
This week on MacBreak Studio, I show Steve Martin from Ripple Training a product that helps you to locate...
Ang Lee: frame rate as a creative tool
Filmmaker’s Ang Lee latest feature Billy Lynn’s Long Halftime Walk unprecedent blend of visual formats is again theme for...
Adobe Premiere Pro IBC 2016 Reveal – Team Projects and Visual Keyboard Layout
If it’s time for a major tradeshow then it must be time for a new release of the Adobe...
Creative Cloud ‘Next’ at IBC 2016
Adobe is showing the latest incremental update of its Creative Cloud video and audio tools at the IBC Show 2016 in...
ART OF THE CUT with Job ter Burg, ACE, NCE
Job ter Burg, is a member of both ACE (American Cinema Editors) and NCE (Netherlands association of Cinema Editors)...
EditFest 2016: The Lean Forward Moment with the American Cinema Editors
Norman Hollyn, editor of the cult classic film Heathers and a Professor at the University of Southern California’s School...
Tokyo Split Animator for Final Cut Pro X
This week on MacBreak Studio, Steve Martin from Ripple Training reviews the Split Animator plugin for Final Cut Pro...
Let’s Edit with Media Composer – ADVANCED – Motion Effects Part 2
In this lesson, Kevin P McAuliffe wraps up his look at Motion Effects by talking, first, about a common...
EditFest 2016: Inside the Cutting Room with Michael Tronick and the American Cinema Editors
Michael Tronick, ACE, is a motion picture editor in every sense, but his experience as a music editor has...
