SMPTE: from Time Code to Time Labels
In October 2015, during the SMPTE’s Annual Technology Conference and Exhibition, the hot themes discussed were UHD, HDR, and...
It’s time to get excited about Boris FX’s acquisition of GenArts!
There has been an age old debate going on in the post production world, and no, I’m not talking...
ART OF THE CUT with Chris Lebenzon, ACE on editing “Miss Peregrine’s”
Chris Lebenzon, ACE has such an extensive filmography of huge movies, it’s hard to know which ones to include...
First look: iLoud Micro Monitor from IK Multimedia
I am again honored to be among the first tech consultants/journalists to receive another innovative product from IK Multimedia...
Hindenburg Journalist keeps making my favorite audio editor even better
If you haven’t read any of my detailed articles about Hindenburg Journalist and Hindenburg Journalist PRO audio editing software,...
Webinar: Affordable Anamorphic Adapters
I did a webinar for Moviola on Affordable Anamorphic Adapters today; it’s available for replay at Moviola. Here are the intro notes,...
PowerDirector 15: 360-degree and vertical video editing
One year after the launch of PowerDirector 14, presented as “extreme editing”, Cyberlink takes the program a step further,...
ART OF THE CUT with John Refoua, ACE on “Magnificent Seven”
John Refoua has nearly 30 editing credits going back to the early 1990s, starting with TV including “Law and...
Arc/k Project: preserve the past and create 3D models for Hollywood filmmakers
The Arc/k Project, a new nonprofit focused on digital preservation, plans to create 3-dimensional records of the world’s most...
Magix releases VEGAS Pro 14
Three months after the official acquisition of the majority of Sony Creative Software products, MAGIX is releasing VEGAS Pro...
