REVIEW – Red Giant Universe
NAB 2014 has been over for about seven months now, and most people might be wondering why I am...
The case of the white t-shirt
In an earlier article I said that when I began my career, I found business issues more difficult to...
Want to see 4K editing in Media Composer before its release?
And no, I’m not breaking any embargoes, NDA’s or anything like that. Avid is very excited about the impending...
Growing pains – the desktop video identity crisis
Some of the most confusing aspects of a job have nothing to do with hardware problems or software upgrades. ...
Blackmagic Design Revolutionizes the Visual Effects Industry with Fusion 7
Blackmagic Design today announced that Fusion 7, the world’s most advanced visual effects and motion graphics software, is now...
ProRes 4444 XQ in Creative Cloud
Apple released a new codec this summer with updates to its video apps, Apple ProRes 4444 XQ. Arri decided to...
PVC at AES 2014 – Details About the New Upgrades to Ozone from iZotope
iZotope was previewing their updated version of Ozone at AES 2014 in Los Angeles and I had a chance...
Rating and Filtering in Final Cut Pro X
Guest Bill Davis takes us back to the basics this week. One of the foundational building blocks for working...
Cineform in Creative Cloud: render quality settings + more
GoPro Cineform, aka the SMPTE ST 2073 VC-5 video compression standard, is a cross platform codec that in Creative...
HitFilm 3 Pro for free if you own HitFilm Plug-ins
FXHOME has announced HitFilm 3 Pro, now available for pre-order for release in late November 2014 for just $299....
