Review: Loctek FlexiSpot Sit/Stand Workstation
I spend too much time at my desk, whether it’s for editing, building graphics, writing, or coding. I find...
Grading with the Tangent Ripple in Final Cut Pro X
This week on MacBreak Studio, Steve Martin from Ripple Training is joined by his lead editor Travis Richmond as...
Let’s Edit with Media Composer – ADVANCED – Source Browser In-Depth
In this lesson, Kevin P McAuliffe goes in-depth with the new Source Browser import/linking tool inside of Media Composer...
Some simple advice for those seeking out work
I’ve had an interesting couple of weeks as I work through one of the busier times of the year....
ART OF THE CUT with “GHOSTBUSTERS” editor, Brent White, ACE
If you have watched a funny movie in the last decade, you’ve seen Brent White’s work. “Ghostbusters,” “Spy,” “Anchorman”...
Forced Projections in Motion
This week on MacBreak Studio, I show Steve Martin from Ripple Training how turn a photograph into an animated...
Maya 2017: More mograph, less mental ray
Autodesk has announced a major update to its flagship 3D digital content creation package. If you’re not using Maya,...
Let’s Edit with Media Composer – ADVANCED – BCC Remover and Mocha BCC
In this lesson, Kevin P McAuliffe takes a look at a common situation that editors run into, and that’s...
Developing An Awareness of Color
Color awareness came slowly to me, but now I can’t escape it. Read on, and follow me down the...
ART OF THE CUT with the editing team of “Star Trek Beyond”
This Art of the Cut we chat with three of the four editors who cut “Star Trek Beyond.” Steven...
