ART OF THE CUT with Tom Cross, ACE of “Whiplash,” “JOY,” and “La La Land”
Art of the Cut caught up with Oscar winning editor, Tom Cross, as he was cutting his upcoming feature,...
Orbiting objects in Motion
This week on MacBreak Studio, I show Steve Martin from Ripple Training how to approach a basic animation task...
Emancipate your titles in Final Cut Pro X
This week on MacBreak Studio, Steve Martin from Ripple Training shows us how you can free your titles in...
Dead Dreamcolor? Reanimate it.
Got an original HP LP2480zx Dreamcolor display? Did it suffer catatonic failure? By that, I mean a failure where...
AE Project Diary: 2) Green Fever
This is the first article anyone has written about Star Wars, lawn bowls, weddings and coffee machines, and how...
ART OF THE CUT with Kelley Dixon, ACE of “Breaking Bad,” “Preacher,” “Walking Dead”…
If you’re an editor who loves great television then you are going to be incredibly jealous of the editor...
Free Function Friday fillCompWithShape
Ep. 40 fillCompWithShape Free Function Friday
Kicking the tires on Proxy Editing with Adobe Premiere Pro CC 2015.3
Adobe released the Adobe Premiere Pro 2015.3 update onto the world in late June and I was smack-dab in...
Red Giant Universe 2.0: HUD, mograph, stylized damage & looks, transitions
Red Giant Universe had been a consistently-updated mix of free and subscription effects for Adobe After Effect, Premiere Pro,...
Media Composer’s Source Browser – A great new feature for every editor
When I reviewed Boris Continuum Complete 10 for AVX, I said that “Boris’ purchase and integration of Mocha in...
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