Kicking the tires on Final Cut Pro X 10.4’s new color grading tools
Here we are just over a year after the last major Final Cut Pro X update and we’re moving...
Final Cut Pro 10.4 is out and it is awesome
Here are some videos that explain the key features. First up, before you update, watch this: Now, here are...
A selection of video and photo monitors for 2018
Video editors and photographers need high quality monitors to clearly visualize their work, but that does not mean they...
ART OF THE CUT with the assistant editors and VFX editors of Kingsman: The Golden Circle
Occasionally, Art of the Cut features the assistant editors and others in the post-production team. These are some of...
Why Contracts are Necessary for Video Production Companies
I’m a fan of People’s Court with Judge Marilyn Milian, and she often says that when you enter into...
Classic Course: Tint versus Tritone
Continuing with still-useful movies from our old “Insight Into Effects” course, this one explains why you shouldn’t reach for...
In Depth Look – HitFilm Pro 2018
I’m the first one to admit that I’m a fan of HitFilm. For me, it’s like the Little Engine...
ART OF THE CUT with Sidney Wolinsky, ACE on “Shape of Water”
Art of the Cut last spoke to editor Sidney Wolinsky, ACE, in 2015 about his work on House of...
Christmas Gift Ideas for the Editor – 2017 edition
As 2017 winds down and the holiday season ramps up then it must be time for another Christmas...
Philips 32-inch 328P6AUBREB may be my next monitor
Presented as perfect for graphic designers, CAD engineers, photographers, video editors and other professionals, the new monitor from Philips...
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Post Production
Adobe’s IBC release for Premiere and After Effects
Post Production
