ART OF THE CUT with Lisa Bromwell, ACE on “House of Cards”
Lisa Bromwell, ACE has been working in feature film and TV editorial for more than 30 years. She moved...
Ignite Express 2017 plug-ins: free FX for your NLE
FX Home, makers of HitFilm Pro, earlier released Ignite Express 2017 plug-ins for Mac and PC, a free version...
Building a 4K video editing PC for 2018
With 2018 at the door, some of us will start to imagine what our new computer will look like,...
Classic Course: Repeat Edge Pixels
As we mentioned in our last post, we’re going to be publishing on PVC videos from our retired Lynda.com...
5 tips for shooting 360° video
It may seem like creating a 360° video is equivalent to shooting a traditional film, just with a special...
An Interview with Two-time Oscar Winner Neil Corbould
Two-time Oscar winner Neil Corbould got his first insight into the world of special effects after following his uncle...
An in-depth chat with editor Scott Hill about Lightworks
Lightworks is a powerful NLE that has been around for many years and has edited at lot of major...
Squash & Stretch: a Free and Pro keyframe assistant
Squash & Stretch is a smart keyframe assistant extension for Adobe After Effects from Mamoworld, and comes in a...
ART OF THE CUT on MURDER ON THE ORIENT EXPRESS
Mick Audsley is the BAFTA-winning editor of such films as Dangerous Liaisons, 12 Monkeys, Harry Potter and the Goblet...
Opening titles: commercials that sell a series
The art of the opening title sequence is flourishing like never before. The best ones contain clues, “Easter eggs,”...
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Post Production
Adobe’s IBC release for Premiere and After Effects
Post Production
