Day 9 #28daysofQuickTips 2018 – Quickly connect a title in Final Cut Pro X
One of the strengths of Final Cut Pro X is its fancy graphics and titles, courtesy of Motion templates,...
Creating Custom Black & White Effects in Final Cut Pro X
This week on MacBreak Studio, I show Ripple Training’s Steve Martin how you can use the new color tools...
Day 8 #28daysofQuickTips 2018 – Temporarily enable a tool in Final Cut Pro X
This is a simple little thing that makes the already fast Final Cut Pro X even faster: if you hold...
Day 7 #28daysofQuickTips 2018 – Apply and Toggle audio fades in Final Cut Pro X
I’m still quite perplexed that nearly 7 years after its release Final Cut Pro X still doesn’t have an audio-only...
Day 6 #28daysofQuickTips 2018 – The Usage tab in Avid Media Composer
Many Avid Media Composer editors rarely travel to their Project panel beyond opening bins and accessing they settings. But there’s...
Patrick Lawrence on editing Clara’s Ghost
The film Clara’s Ghost premiered recently as part of the 2018 Sundance Film Festival NEXT program. Written and directed...
Natural Night filter for cityscapes and video
The ability to reduce light pollution when photographing the night sky was covered in the first article about NiSi’s...
Day 5 #28daysofQuickTips 2018 – Mute Clips in the Media Composer timeline
Following along with yesterday’s QuickTip to move clips up and down in the Avid Media Composer timeline, here’s another recently...
Day 4 #28daysofQuickTips 2018 – Move Up Move Down in Media Composer
Premiere Pro (and okay maybe Final Cut Pro 7 Classic editors if there are any really still out there) editors...
ART OF THE CUT with Oscar nominee Tatiana Riegel, ACE
Tatiana Riegel, ACE just won the ACE Eddie for Best Edited Feature Comedy and has been nominated for this...
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Post Production
Adobe’s IBC release for Premiere and After Effects
Post Production
