Review: Plugable USB-VOX studio microphone
My evaluation of the ≈US$75 USB-VOX studio microphone from Plugable involved several happy surprises, beyond its high quality sound...
48 kHz: How to set it in Android, iOS, macOS and Windows
After creating the 48 kHz Alliance this year and several prior articles, an increasing number of people now ask...
Apollo 11 moon landing: the NVIDIA, Shutterstock and DJI versions
With the tools available today, almost anyone can shoot convincing footage of astronauts landing anywhere on the Universe: NVIDIA,...
Let’s Edit with Media Composer – 2019 Multicam Updates
In this lesson, Kevin P McAuliffe talks about Multicam editing, and more specifically the updates to Media Composer’s Multicam...
SmallHD Focus 7 Review. Is 1000 Nits Bright Enough?
A 1000-nits. A 7-inch touch screen. An affordable monitor at home on either a high-end camera system or accompanying...
Quick Look: Signature Primes
ARRI is now shipping Signature Primes, lenses “designed to render organic, emotionally engaging images, gently softening and texturizing the...
AE Project Diary: 9) Digital van replacement
In July last year I began work on a number of vfx shots for a short film called “At...
ART OF THE CUT with feature film editor, Roger Barton
Roger Barton has edited many of the biggest and most iconic films in Hollywood history. As an associate editor,...
Apollo 11 VR HD: First Steps invites you to step into Neil Armstrong’s shoes
You’ve seen the movies, the documentaries, the interviews. Now it’s time to go: grab your headset and celebrate the...
The Art of the Cut Podcast Eps. 4 (w/ Spider-Man: Far From Home Editors Dan Lebental & Leigh Folsom-Boyd)
The Art of the Cut podcast brings the fantastic conversations that Steve Hullfish has with world renowned editors into...
