The Supermeet returns to Boston this November
Remember the SuperMeet? Those great filmmaking events that were a stable of Tuesday night of NAB for many, many...
The literal invisible cut: mastering the Fluid Morph
Ethics aside, editors often have a legitimate need to hide a jump cut. Many editors are still unaware of...
The Review of The Blackmagic Design Pocket Cinema Camera 6K
6K in your hand. 6K on our gimbal. 6K. 6K. 6K. We love our “K’s.” The Blackmagic Pocket Cinema...
Delivering in Multiple Aspect Ratios for Social Media
As editors, we need to deliver video to be hosted on a variety of social media platforms, often in...
The Palace of Versailles: going behind the scenes of a VR production
Never a 3D model will replace the emotion of actually stepping into the monument, but the new app “VersaillesVR:...
The Art of the Cut Podcast Eps. 15 (w/ “Fleabag” Editor Gary Dollner, ACE)
The Art of the Cut podcast brings the fantastic conversations that Steve Hullfish has with world renowned editors into...
ART OF THE CUT with the editors of “Ad Astra”
Editor John Axelrad, ACE, has been in post-production since 1991, including a stint as Oscar-winner Anne Coates’ assistant on...
GoPro HERO8 Black and GoPro MAX: redefining what’s possible with a camera
Dramatically improved stabilization, a new Boost mode and in-app horizon leveling are some of the features of the new...
Free this week? Enter one of these two editing contests and maybe win some prizes
I’m a bit late in posting this article but up and coming editors (or editors without anything to do...
Let’s Edit with Media Composer – What’s New in 2019.9
In this lesson, Kevin P McAuliffe discusses the newest release of Media Composer, 2019.9. This update is more of...
