Cleanfeed: much better than Zoom.us for 48 kHz remote audio recordings or live broadcast
For several years, I have been using (and recommending) Cleanfeed (and Cleanfeed Pro) to make pristine remote audio recordings...
Cinematographer Federico Pardo and the Life Cube experience
Cinematographer Federico Pardo traveled to the Amazon during the height of the Covid-19 pandemic. In a recent interview he...
Post Notes 2 for Adobe Premiere Pro and After Effects lives!
Over five years ago I wrote a piece called Feature Request: A Notepad built into non-linear editing applications. I...
Art Of The Cut Podcast Eps. 75 (“Hillbilly Elegy” Editor James D Wilcox, ACE)
The Art of the Cut podcast brings the fantastic conversations that Steve Hullfish has with world renowned editors into...
First look: Smart V2M mobile audio interface with 2 lav mics for USB and Lightning
Soon I’ll be publishing my full review of the new Smart V2M mobile audio interface kit from Saramonic, with...
ART OF THE CUT with “Hillbilly Elegy” editor, James D. Wilcox, ACE
In this interview, James D. Wilcox, ACE discusses editing Ron Howard’s new film Hillbilly Elegy, which is available now...
Review: Zoom ZDM-1 dynamic studio microphone or kit
Here is my review of the new large diaphragm ZDM-1 dynamic microphone from Zoom with a supercardioid pickup pattern....
After Effects Classic Course: Refine Edge Tool
Continuing with our theme that it is very useful to have a feathered mask that varies in width depending...
Are LUTs packs worthwhile?
You always know a colourist is paying attention when a LUT is named “Fuji Superior 200” (sic). We won’t...
ART OF THE CUT with Mike J. Nichols, editor of the documentary “Zappa”
Today I’m talking with Mike J. Nichols about editing the documentary Zappa. He’s edited a lot of documentaries including...
