Burning questions about Cinematic Mode and how you edit it
I picked up a new iPhone 13 Pro over the weekend. By far the biggest buzz is over the...
Adventurer and filmmaker Renan Ozturk on why he uses Teradek
Taking tools built for Hollywood sets and using them in harsh outdoor environments is normal practice for adventure filmmaker...
COVID-Compliant Crowd Scenes on a Budget using Anima
Not only are extras expensive, but in the age of COVID orchestrating larger crowd shots becomes a logistical nightmare....
Unlock the hidden 25p mode in your current iPhone’s camera app
Since my first articles in ProVideo Coalition magazine in 2008, the elusive 25p (aka 25 fps) framerate has been...
Art of the Frame Podcast w/ “Monsters of Man” Writer, Director & DP Mark Toia
The Art of the Frame Podcast brings in-depth conversations with the top creators of your favorite films and shows...
A cheat’s manifesto part 4: All that glitters is good
Having now spent well over a century trying to improve the performance of photo gear, it seems strangely appropriate...
Review: Accusonus ERA Reverb Remover and more
Recently, I reviewed the ERA Mouth De-Clicker plugin (link ahead in case you missed it). After publishing my first...
BorisFX Continuum 2021.5 for FCP
If you’ve been editing for a while, Boris is a company that’s probably touched your working life. Through their...
Cinema Capabilities of Fujifilm Cameras
Recently, blissfully, I’ve been able to get back to shooting. Slowly but surely the gigs are coming back, although...
iPhone 13 ProRes — 6 questions for Apple
As most have probably heard by now, the new iPhone 13 Pro offers the coveted ProRes códec. Since attending...
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