DisplayPort 2.0 gives us some things to ponder
There was a June 26th announcement from VESA that Display Port 2.0 specs are now available and that the industry...
ART OF THE CUT with doc director/editor Todd Miller on “Apollo 11”
I saw Apollo 11 in theatres several months ago, and recently the film has aired on CNN. It was...
Fireworks
Fireworks Some July 4th fun with X-Particles
How to recreate Upside Down from the Stranger Things series using Hitfilm Pro
The alternate dimension “Upside Down” is coming to your TV screen, and in anticipation of the new season of...
Nanguang 4′ Pavolite Tubes // Tool Talk
This article marks the beginning of a venture between PVC and Filmtools, a series I’m calling Tool Talk. In...
Review: CrumplePop EchoRemover plugin
If you record audio in an untreated room (or your remote guest does), often you’ll get excessive echo/reverberation, as...
Don’t get the Mac Pro, Get a Puget System
There are going to be, roughly, two types of people reading this: pros and builders. As detailed in my...
Advanced keying with After Effects: Part 5
In the fifth and final part of this series on keying, I’ll demonstrate a range of compositing techniques to...
Exploring Ultrawide Workspaces – A Review of the Samsung CJ791
For editing, the size and layout of your workspace is nontrivial. Most would argue doing so on a 17”...
After Effects Classic Course: Hue/Saturation vs. Color Balance HLS
In the previous post, we focused on the Hue/Saturation effect – but at the end, we briefly mentioned the Color...
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