Zeoshi – an AI upscaling company with a difference

Written by Nick Lear

January 17, 2022

The use of AI for upscaling is an emerging and competitive field and Kimball Thurston, Robin Melhuish and Patrick...

Let’s Edit with Media Composer – Lesson 13 – Bin View Modes

Written by Kevin P. McAuliffe

January 14, 2022

Hey Everyone, Bins, as we know, are the centerpiece of your workflow(s).  They are what will make for a...

How to answer when someone asks you to move a project from Avid to Premiere Pro (or vice versa)

Written by Scott Simmons

January 12, 2022

One question that I saw pop up on a lot of Internet forums and Facebook groups last year (and...

Avid Media Composer updated, cloud licensing, M1 support

Written by Scott Simmons

January 4, 2022

Avid Media Composer recently got a bit update that is notable for a couple of reasons. The first (and...

Using NDI Tools with Premiere Pro for Zoom review meetings

Written by Nick Lear

January 3, 2022

It has been estimated that virtual production and remote post production has advanced 5-10 years more than expected due...

After Effects Roundup December 2021

Written by Rich Young

December 31, 2021

What’s new in After Effects at Adobe covers the December 2021 release (version 22.1.1), with 2 new feartures and...

PVC’s Top Articles and Reviews of 2021

Written by PVC News Staff

December 31, 2021

As the year winds down we thought we’d take a look back at some of the great content posted...

2021: A Year In Review Podcast

Written by Avery Paskal

December 29, 2021

2021 is (nearly) behind us and we thought it was prudent to gather a group of regular contributors to...

Warm bodies

Written by Phil Rhodes

December 28, 2021

It’s traditional, at the end of the year, to discuss wider issues affecting all the people in the industry,...

Review: Pixelmator Pro 2.3.4 Abracadabra

Written by Iain Anderson

December 22, 2021

Subscriptions are polarizing, and although Adobe makes some excellent apps, if you’d rather buy your software outright, you may...