Editors on Editing w/ “The Batman” Editor William Hoy, ACE & Tyler Nelson
Welcome to another episode of Editors on Editing. This week, Glenn talks with editors William Hoy, ACE & Tyler...
Apple Motion — every editor’s secret weapon
In the Final Cut Pro ecosystem, Motion is the app that lets you create custom titles, effects, generators and...
Apple Studio Display: limited to a single framerate?
Compared with the Apple Pro Display XDR, all but one DreamColor models, Sony multisystem consumer HDTV sets I have...
What are the NABiQ Experimental Zones and How Can They Fit Into Your NAB Show Schedule?
NAB Show has long been top of mind and schedule for the experts and authors that define ProVideo Coalition....
Dupe Detection is coming to Final Cut Pro and this is how it works
The recent release of the Mac Studio has everyone in the video editing world wondering about Final Cut Pro,...
Review: Mac Studio and the M1 Ultra for video editors – part 1
For diehard Mac users, the Mac Studio might be the ultimate machine for a lot of what we do...
Color Management Part 4: Maxwell’s Spinning Discs
Have you ever stopped to think about where RGB values came from? We all use digital color pickers every...
Better Dialogue Edits with L & J Cuts in Final Cut Pro
This week on MacBreak Studio, Steve shows us how to use L & J cuts to tighten up and...
Phalanx: a tool to reduce size of 3D settings by up to 8 times
Recognized for their proprietary tools and innovations for animation, visual effects, and VR filmmaking, Faber Courtial will show at...
Is the graphics card shortage finally over?
Until recent years, the Windows crowd have had many years of bragging rights over Apple users – namely that...
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