First Look: Wacom MobileStudio Pro 16
I first saw the Wacom MobileStudio Pro at NAB last year and finally got my hands on one to...
After Effects wins an Academy Sci-Tech Award
David Simons is a 28-year fellow at Adobe, if you count the first three years at CoSA where he...
Fujinon’s MK lenses paired with SLR Magic’s Anamorphot bring widescreen magic to low budget filmmaking
Last year, I got a peek at SLR Magic’s Anamorphot 65 add-on anamorphic adapter kit for Fujinon’s MK series...
Product Review: RAVPower Portable Chargers & Power Banks
I admit I was a bit skeptical at first when I was contacted by RAVPower to test/review their portable...
Out in the Field with the GoPro HERO7 Black
Recently, I was sent a GoPro HERO7 Black to take out with me on a two-week trip to Colorado...
An interview with moi, now at Production Hub
Not to give away any of PVC’s thunder, but Production Hub interviewed me a few weeks ago and the...
Chromatic aberration: hard edges, hue shifts, and storytelling
Accidents yield interesting truths. This is especially true in lens and camera tests, where it’s hard to know what...
Three lenses: a look at bokeh, depth of field and geometry
Some people take time off during the holidays. I borrow a half million dollars worth of camera and lenses...
Lens dynamic range: coatings, contrast and color
There was a time in the distant past when I thought of lenses as transparent glass. Film and digital...
Review: BenQ PD2700U Monitor
I’ve been working on a lot of coloring projects recently, and at Adobe MAX the subject came up when...