Rolling vs Global Shutter – Does it Matter?
Understanding the difference between Rolling and Global shutters is essential for filmmakers striving for precision and quality in their...
Lights, Camera, Olympics: Stamp Productions’ Journey with Bridgestone
Making commercials for an international client for the Olympics is a tall order for any production company. But doing...
EXCLUSIVE: Canon R5 mark II & R1 Hands On
A few weeks ago I was invited to Arizona to test out the just-announced Canon R5 mark II, as...
Tool Tip Tuesday for Adobe Premiere Pro: 100 Undos with the History Panel
Welcome to Tool Tip Tuesday for Adobe Premiere Pro on ProVideo Coalition. Every week, we will share a new...
Hands On With the The Canon EOS C400, The Camera We’ve Been Waiting For
Thanks to our friends at Canon, we got hands-on with their brand-new EOS C400 camera. We asked our followers...
Play for Dream MR: the world’s first Android-based spatial computer
As the term Mixed Reality is used loosely to support the marketing purposes of different companies, a new Chinese...
VR and mocopi change how audiences experience live performances
The local theater community in La Jolla, San Diego is using new technologies to merge the physical and virtual...
Closed Loop Colour for Virtual Production
Almost everyone reading this will have had the experience of pointing a camera at a real-world scene and then...
Cantina Creative on Designing HUDs for Movies and Real Life
When the design team at Cantina Creative started visual effects work on Iron Man 2, they had no idea...
Frame.io Version 4 Beta is Here
Building a new product always starts with the need to solve a problem. When we first conceived Frame.io, we...
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