Text-Based Editing Comes to Adobe Premiere Pro
Have you ever wanted to edit a rough cut just by copying and pasting text from an interview? Have...
REVIEW: Frame.IO’s Camera to Cloud & the Atomos Shogun CONNECT
Over the past year I’ve been testing out Frame IO’s Camera 2 Cloud system in various situations, primarily using...
Adobe MAX 2022 Recap
Every year, Adobe hosts thousands of people for their fantastic “creativity conference”, Adobe MAX. These like-minded creatives mill about...
Using EXRs and DWA in After Effects
Codecs aren’t the most exciting thing to write about, but a recent update to After Effects included a tiny...
After Effects: Making a composition render 70 x faster
Rendering times in After Effects can vary a lot. If you’ve been using After Effects for a while, you’ve...
Adobe gets serious about 3D Design
Adobe just announced the Substance 3D Collection, a new suite of 3D design tools centered around the Substance software...
INTERVIEW: Jeff Boyette, editor of “Amy Tan: Unintended Memoir”
Writer Amy Tan’s hit debut novel, “The Joy Luck Club” (1989), catapulted her to commercial and critical success, spending over 40 weeks on The New York...
Productions versus Team Projects: Which Adobe Premiere Pro remote workflow is right for you?
2020 forever changed the way that many of us live, play, learn, and work. For many filmmakers, editors, and...
UNRAVELED // An interview with Joke Productions
Thanks so much for talking to me! To start, I just want to know; why is True Crime so...
Moving from AVID to Premiere Pro: How’s 45 minutes sound?
One of the most frustrating things for editors switching software is having to sit through all the newbie, “editing...
