Blackmagic Announces A Huge Update To DaVinci Resolve 14

Collaboration, Fairlight Audio, Training and a ton more features

Today Blackmagic Design announced a whole helluva lot of improvements to DaVinci Resolve 14. They are calling it the biggest release in the history of the product, and an update that has been designed to be more than an incremental software update, but a complete revolution in post production. I can say after seeing the updates Blackmagic may not be dishing any hyperbole on DaVinci Resolve 14.  Check out their video highlighting what is new, or keep reading.

Blackmagic is hoping the new DaVinci Resolve 14 will shake up the separation of toolsets in post production and offer a new path for even the smallest production facility as well as the largest.  Also, They dropped the price on DaVinci Resolve 14 Studio. They dropped the price by $696 to a super inexpensive price of $299. This is a HUGE discount.

DaVinci Resolve 14

New features include up to 10 times performance improvement, a whole new audio post-production suite with Fairlight audio built into DaVinci Resolve 14, and multi-user collaboration tools that let multiple people edit, color and mix audio from multiple systems, all in the same project at the same time. This collaboration is huge for smaller production facilities. Now team members with specialized skills can all work on the same project on a shared drive with DaVinci Resolve 14

The new DaVinci Resolve 14 is like 3 applications in one. Users get professional editing, color correction, and the new Fairlight audio toolset all within an easy to use software. All it takes is a single mouse click to switch between editing, color, and audio. Then the new multi-user collaboration tools let everyone work on the same project at the same time, so customers no longer have to import, export, translate or conform projects.

DaVinci Resolve 14 dramatically changes post production from a linear to a parallel workflow, so everyone can work at the same time, giving editors, colorists and audio engineers more time to be creative. To me, this is really cool because I can now color correct another editor’s work as they are refining their edit.

A public beta of DaVinci Resolve 14 will be available today and for immediate download from the Blackmagic Design website. DaVinci Resolve 14 will also be demonstrated on the Blackmagic Design NAB 2017 booth at #SL216.

DaVinci Resolve 14

Detailed DaVinci Resolve 14 Overview from Blackmagic Design

In addition to extensive CPU and GPU optimizations, customers also get better threading and GPU pipelining, lower latency, much faster UI refresh rates, support for Apple Metal and much more. This makes DaVinci Resolve 14 faster and more responsive than ever so customers get incredibly fluid performance and more precise editing, even on long timelines with thousands of clips. Scrubbing and playback are instantaneous and there is powerful new acceleration for processor intensive formats like H.264, making it possible to edit 4K images on a laptop.

Legendary Fairlight audio is now fully built into the DaVinci Resolve 14 application itself. Fairlight is famous for being used at the world’s highest-end studios for audio post on film and television. Fairlight is known for both its superior sound quality and its speed. Customers get a massive set of professional audio tools for recording, editing and sweetening, professional bussing, mixing and routing, and multi-format mastering to 3D audio formats such as 5.1, 7.1, Dolby and even 22.2. The state of the art, super low latency audio engine is designed to work with 192kHz 96-bit audio and delivers up to 1,000 tracks with real time EQ, dynamics processing and plug-ins on every track when used with the Fairlight Audio Accelerator. Plus the new Fairlight audio can record up to 96 channels while simultaneously playing back up to 150 audio channels while mixing it all in real time! There simply is no other software available with this level of dedicated audio power.

The new Fairlight audio in DaVinci Resolve 14 features a full multi-track timeline for subframe editing of audio, down to the sample level. The mixer is designed to let customers create sophisticated sequences and has several main, sub and aux buses for mastering and delivering to multiple formats at the same time. Every channel on the mixer features real time 6 band parametric EQ, along with expander/gate, compressor and limiter dynamics. Clip time warping lets customers stretch or compress audio without shifting pitch. In addition, every single parameter can be automated, even VST plug-ins, using a variety of automation modes.

In addition to audio editing, sweetening, and mixing, Fairlight audio in DaVinci Resolve 14 also includes multi-channel recording tools that are far superior to those found in most editing systems. Customers can record voice overs or even an entire symphony orchestra while also monitoring video and multiple channels of dialog and sound effects. The advanced monitoring can handle buses up to 24 channels wide with customizable fold-up and fold-down for crossing between formats. Monitoring can be done on up to 16 different sets of speakers, including massive cinematic installations.

DaVinci Resolve 14 works with the Fairlight Audio Accelerator card, which gives customers up to 1,000 zero latency tracks and real-time effects processing for EQ, dynamics, and up to 6 VST plug-ins per channel. Even without the accelerator, most modern computers can still process more than 60 tracks in real time. In addition, DaVinci Resolve 14 can also be used to drive the entire line of Fairlight hardware mixing consoles, which makes working on complex multi-track projects faster than any other system available.

The advanced busing and mixing architecture also allows multi-language and multi-format delivery to be handled simultaneously from the same project, dramatically reducing the time required to deliver final masters.

All this editing, color correction, and audio post production power also mean multiple people need to work on the same job, at the same time. This is where the revolutionary new collaboration tools are vital to the dream of revolutionizing post production. The new collaboration tools completely redefines post-production workflows by supporting simultaneous editing, color correction, and audio post. Assistant editors can prepare footage while editors cut the picture, colorists grade the shots, and sound editors mix and finish audio, all in the same project at the same time.

New bin, clip and timeline locking lets users safely work on a specific part of the project without overwriting each other. There’s also a built-in secure chat client that lets team members talk to each other from within DaVinci Resolve without the need for an external internet connection. This secure chat is vital because most high-end facilities are unable to use services such as Slack or Skype for messaging because they need to remain completely disconnected from the internet to ensure security against hacking.

The new timeline comparison tool makes it fast and easy to see differences and merge changes between two timelines by viewing a side by side comparison of every single change made between users. Best of all, DaVinci Resolve 14 works with the storage you already have. There’s no need to buy expensive or proprietary storage and servers to work collaboratively.

The new multi-user features of DaVinci Resolve 14 eliminate the need for importing, exporting, translating and conforming projects. Customers no longer have to wait for a locked edit before starting color and audio work. Switching between editing, color and audio is just a single click away. That means picture editors, colorists, and sound editors can all work in parallel, making DaVinci Resolve 14 the fastest way to edit, grade, mix and deliver projects.

In addition to the incredible performance improvements, editors also get new slip and slide trim commands that make it easier to dynamically trim live on the fly during playback. They can now save interface layout presets, view multiple bins at once and open multiple bin windows. New marker overlays, audio only and video only edit tools, track colors, and subframe audio editing makes it the world’s most powerful creative editor.

For colorists, there are over 20 new Resolve FX filters that make it easy to remove dust, fix dead pixels, warp images and more. The amazing new face enhancement tool automatically recognizes and tracks facial features so colorists can quickly smooth skin, adjust skin tone, brighten eyes, and even change lip color, all without having to manually select or rotoscope any part of the image. The face enhancement tool is an indispensable feature that colorists will use every single day. In addition, there are new stabilization, match move, and other image processing tools that give colorists more creative options than ever before.

Customers can add a DaVinci Resolve Micro Panel, DaVinci Resolve Mini Panel or a DaVinci Resolve Advanced Control panel for the ultimate high-speed workflow. All controls are logically placed near natural hand positions and are made out of the highest quality materials. Smooth, high resolution weighted trackballs and precision engineered knobs and dials feature the perfect amount of resistance for accurately adjusting any setting. The DaVinci Resolve control panels give colorists and editors fluid, hands-on control over multiple parameters at the same time, allowing them to create looks that are simply impossible with a standard mouse.

“The overwhelming success of DaVinci Resolve has been incredibly exciting. It has become the world’s fastest growing editing system and now we’re taking it to the next level with DaVinci Resolve 14,” said Grant Petty, CEO, Blackmagic Design. “With this new version, we didn’t want to do an incremental update. We wanted to make a large leap forward and break new ground. It’s also much more exciting for the whole engineering team here at Blackmagic Design! We are really excited about how quickly editors are switching and we hope that a new generation of audio engineers will enter the industry. Together, we can all work to continue making it the best editing, color correction and now audio software in the world!”

Blackmagic Design also announced a price reduction for DaVinci Resolve Studio from $995 to only $299. It costs less than most annual cloud-based subscription plans, making DaVinci Resolve more affordable to more customers.

The free version of DaVinci Resolve is also available with the same powerful new editing and audio post production features. The $299 DaVinci Resolve 14 Studio version adds the new collaborative multi-user tools, over 20 new Resolve FX including the advanced face enhancement tools, 4K and 120fps project support, stereoscopic 3D, optical quality blur and mist effects, film grain, de-noise tools and much more. Best of all, DaVinci Resolve 14 Studio does not require a connection to the internet or a cloud subscription to work.

In addition, Blackmagic Design has also announced a new worldwide training and certification program, along with a certified curriculum for DaVinci Resolve. Customers can learn at their own pace by purchasing the Blackmagic Design series of books, or they can take training courses online or in person at certified training centers. More details are available on the DaVinci Resolve website.

DaVinci Resolve 14 runs on all major platforms, including Mac, Windows, and Linux, making it easy to integrate with existing systems and workflows. Customers running Red Hat or CentOS Linux can even build their own workstations using low-cost motherboards, extremely fast processors, massive amounts of RAM and up to 8 GPUs for incredible real-time performance.

DaVinci Resolve 14


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Brian Hallett

Brian Hallett, is the senior promotions producer at the NBC affiliate in Nashville, TN, and an award winning cameraman, editor, and producer. He has shot everything from broadcast television news, promotional image campaigns, music videos, short films, and documentaries. First and foremost, Brian is a cameraman and since 1999 his skills have allowed him to work for Spike TV, NBC, Fox, and CBS.

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3 Comments on "Blackmagic Announces A Huge Update To DaVinci Resolve 14"

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Damian Ruz
Damian Ruz

I would say better that is a “HUGE” disaster as it does not run on the MacPro Late 2013

Brian D. Hallett
Brian D. Hallett

Why not? It’s running on my 2011 MacBook Pro.

Chris Wake
Chris Wake

Get your mac pro checked out then. It’s working fine on mine.

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