ARRI Launches ARRI Film Lab OpenFX Plugin Emulating Analog Film
In an era where digital acquisition has become the norm, the appeal of analog film’s aesthetic remains strong. With...
Data rate for shooters and editors
New shooters and editors can often get hung up on which codec and data rate they should use, and...
Have you taken the post production data survery yet?
The annual Post Production Data Survey is winding down for 2024, so if you work in post-production and haven’t...
Have you completed the 2023 US Post Production Survey yet?
This survey is now closed. Here we are mid-way through November, and the 2023 US Post Production Survey is...
Interview with live television editor Mark Stepp – An Art of the Frame podcast
When it came time to relaunch the PVC Art of the Frame podcast I thought about how I wanted...
SMPTE’s May panel: post-production in a post-Covid world
The Hollywood Section of SMPTE will host a panel of post-production leaders for a lively discussion on the industry’s...
Starlink “Better Than Nothing” Beta Experience Update
In the past week I’ve received my Starlink beta kit, ground-tested it, and finally installed it on the roof...
Fairlight New Features in DaVinci Resolve 17
Since the acquisition of Fairlight in 2016, Blackmagic Design has been integrating the long-established digital audio technology into their...
RECAP: Adobe MAX 2020 – Day 2
As is tradition, Day 2 of Adobe MAX really kicked off with Sneaks, where we are treated to a...
REVIEW: Hedge for Video
For this Tool Talk we’re going to be talking about the Post Production workflow. It’s a little dry but...
