A quick guide to choosing your next monitor

A quick guide to choosing your next monitor 1

When it comes to monitors, Philips has a word to say. MMD, brand license partner for Philips monitors worldwide, offers some advice for photographers and graphic artists looking for their next monitor. The few pointers put together by MMD also apply to graphic artists looking for a monitor, and videographers would not go wrong reading […]

Read More… from A quick guide to choosing your next monitor

Review: DreamColor Z24x G2 “junior” monitor has come a long way

Review: DreamColor Z24x G2 “junior” monitor has come a long way 2

Last week, I received the second-generation (MSRP US$559) DreamColor Z24x G2 “junior” review unit. I am ecstatic to tell you that it is much better than I expected. Better than what? Better than its predecessor, the very first entry-level DreamColor Z24x. In fact, the second generation model is even better than HP’s official response to […]

Read More… from Review: DreamColor Z24x G2 “junior” monitor has come a long way

Alex Lindsay: Live Streaming in a Nutshell

Alex Lindsay: Live Streaming in a Nutshell 11

Live streaming is easy, right? You can whip out a phone, open either YouTube or Facebook and be off to the races! So how do you take advantage of that for your company, your new cooking show, or sports events? Alex Lindsay from Pixelcorps has been doing live streaming for years. He started out by […]

Read More… from Alex Lindsay: Live Streaming in a Nutshell

Scan audio in realtime with the Cintel Audio and KeyKode reader

Scan audio in realtime with the Cintel Audio and KeyKode reader

The most popular film scanners in the world are bound to be even more popular, with the new accessory, to capture high quality audio directly from the film as it is scanned. The new Cintel Audio and KeyKode reader accessory, which is available for $3,495 from Blackmagic Design resellers worldwide, is an invaluable addition to […]

Read More… from Scan audio in realtime with the Cintel Audio and KeyKode reader

Global Migration Film Festival wants your film

Migration Film Festival wants your film

Last year the Global Migration Film Festival took place in 89 countries and this year organizers, the UN Migration Agency, anticipate over 100. If you’re a filmmaker, this can be a place to show your film. The invitation from the UN Migration Agency (IOM) is for professional and emerging filmmakers: submit perception-changing films about the […]

Read More… from Global Migration Film Festival wants your film

Let’s Edit with Media Composer – Quick Title Changes in BCC Title Studio

Let's Edit with Media Composer - Quick Title Changes in BCC Title Studio 12

In this Let’s Edit with Media Composer lesson, Kevin P McAuliffe talks about a great “under the hood” feature of BCC’s Title Studio that will let you update your titles faster than you ever had before! […]

Read More… from Let’s Edit with Media Composer – Quick Title Changes in BCC Title Studio

Review: MixPre-3 audio recorder/mixer from Sound Devices

Review: MixPre-3 audio recorder/mixer from Sound Devices 13

As soon as Sound Devices announced the new MixPre-3 audio recorder/mixer, I requested it for review. Ahead I’ll tell you everything that I discovered to be so great about it, and a few things I’d like added via future firmware updates. This review article will also include 4 audio clips to demonstrate its quality with […]

Read More… from Review: MixPre-3 audio recorder/mixer from Sound Devices

ART OF THE CUT with Paul Machliss on Baby Driver

ART OF THE CUT with Paul Machliss on Baby Driver 20

Paul Machliss is a UK-based editor who has been in TV and film post since the late 1990s. Machliss was an obvious choice to edit the musically driven Baby Driver because of his long-time collaboration with director Edgar Wright – going back to their years in TV – and his numerous projects as an editor […]

Read More… from ART OF THE CUT with Paul Machliss on Baby Driver

CREATING YOUR OWN DCP’S – GETTING STARTED

CREATING YOUR OWN DCP’S - GETTING STARTED 24

One question that I get asked a lot is, “How do I create my own DCP’s for delivery to a Festival, or to theatres in general?”, and to be honest, it’s not an easy question to answer.  There is a lot of setup involved, no matter which NLE you’re using, so I thought the easiest […]

Read More… from CREATING YOUR OWN DCP’S – GETTING STARTED