Many editors work in anonymity, often alone, sometimes never seeing a client, usually without the praise that is given to the director or producer. And that might be just from those who hire us and collaborate on our work. What we do might be even more mysterious to our family. Looking back on 2015 I […]
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I take Sony’s newest camera, the FS5, through the paces to see if it’s the right 4K camera for you. I dive into how well the camera flys on a Ronin, and how good is its 240fps. […]
Following up the Variety Editing predictions with the A.C.E. Eddie predictions. What do you think?Beasts of No Nation […]
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In “The Revenant”, Oscar winning director Alejandro G. Inarritu tackles the tale of Hugh Glass, a trapper and a guide of the rough American frontier, in the early 1800’s. An epic story of man vs. wild and also man vs. man, a brutal yet majestic tale of survival and revenge. Alejandro is no stranger to […]
Art of the Cut talks with Academy Award-winning editor, Stephen Mirrione, A.C.E. and his latest film, “The Revenant.” […]
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Ep. 14 getAllTextLayers Free Function Friday […]
This week on MacBreak Studio, I show Steve Martin from Ripple Training a different and perhaps better way to create handles for your compound clips. Back in this earlier episode, affectionally named the Compound Clip Conundrum, Steve showed us how compound clips, once created, don’t have any handle material, even though the clips inside them […]
Read More… from Creating Compound Clip Handles in Final Cut Pro X
