The Sensation of White: Why I Set Zebras for 90% White Instead of White Clip
The days of setting exposure with zebras set at white clip are most likely over. Here’s a new technique...
Has Micro Four Thirds Reached Its Pixel Limit?
Let’s be clear. Everybody gets excited when Sony, Nikon or Canon raise the number of pixels, by millions, in...
TLCI and Camera Color: What a Difference a Prism Block Makes
TLCI’s developer says prism cameras and single sensor cameras respond to color in the same way. Thanks to Panasonic,...
Your Weather Sealed Lens May Need a Filter
A filter is essential to protect your lens, we are told when we start in photography or video. A...
Refined Zeiss Lenses for Sony α A-mount
Sony announced the launch of refined versions of ZEISS Vario-Sonnar T* standard and wide angle zooms for their α...
Sony Annouces OLED High Dynamic Range Monitor
For Sony, High Dynamic Range is the future. Their cinema camera line boasts 14 stops dynamic range and now...
Sony Unveils 4K Camera System with 3 4K Sensors
Sony shows off the next generation of HDC series camera providing the ability to use the super-long zoom lenses...
Sony FS7 Review
I take Sony’s latest 4K camera through the paces. I wanted to see the camera’s weakness/strengths as well as...
In a Parallel Universe, AJA’s Cion is Amazing
RedShark News lives in a world where the AJA Cion is the best thing since sliced bread. In this...
The TLCI Color Rendering Index: Does It Really Work? Color Me Skeptical
CRI is meaningless when it comes to measuring LED or fluorescent lights. TLCI hopes to replace CRI in the...
