LUT Tricks for the Sony FS7/F5/F55
Sony’s Cine-EI mode is both a blessing and a curse. Here’s how to work to its strengths and around...
Sony Speeds Up AF in the New α7R II
Sony introduced today their new flagship full-frame mirrorless camera, the α7R II, still named, inside Sony, as an interchangeable...
Sony New Cameras Capture Video at 1000 fps
The new Cyber-shot cameras, the compact RX100 IV (model DSC-RX100M4) and high-zoom RX10 II (model DSC-RX10M2) offer users the...
Sony Delivers New Entry-level Professional Camcorder with 1.0” Type Sensor
Sony’s new HXR-NX100 expands its line of professional compact camcorders that deliver the benefits of a 1.0” type sensor. ...
The Sensation of White: Why I Set Zebras for 90% White Instead of White Clip
The days of setting exposure with zebras set at white clip are most likely over. Here’s a new technique...
Has Micro Four Thirds Reached Its Pixel Limit?
Let’s be clear. Everybody gets excited when Sony, Nikon or Canon raise the number of pixels, by millions, in...
TLCI and Camera Color: What a Difference a Prism Block Makes
TLCI’s developer says prism cameras and single sensor cameras respond to color in the same way. Thanks to Panasonic,...
Your Weather Sealed Lens May Need a Filter
A filter is essential to protect your lens, we are told when we start in photography or video. A...
Refined Zeiss Lenses for Sony α A-mount
Sony announced the launch of refined versions of ZEISS Vario-Sonnar T* standard and wide angle zooms for their α...
Sony Annouces OLED High Dynamic Range Monitor
For Sony, High Dynamic Range is the future. Their cinema camera line boasts 14 stops dynamic range and now...
