Hidden Flexibility of Blackmagic’s URSA Broadcast. A S16mm Camera?
I will write about the URSA Broadcast in a bit. Stay with me as I present some background first....
Cine Gear: Cooke Anamorphic/i Full Frame Plus Standard and SF Lenses
Large Format. Full Frame. That super shallow depth of field. The evolution of filmmaking has been in a state...
Cine Gear: The Panasonic 6K Full-Frame Lumix S1H
This camera, according to Panasonic, is designed especially for film production. The LUMIX S1H is more than a mirrorless...
Cine Gear 2019: Shot On Cooke. “A Motion Gallery”
If you are a painter and you want to learn from the Masters you have to study those who...
Cine Gear: Panasonic Leica DG Vario-Summilux 10-25mm f/1.7 MFT Lens
At Cine Gear 2019 we got to opportunity to check out the Panasonic Leica DG Vario-Summilux 10-25mm f/1.7 ASPH...
Cine Gear 2019: Sony VENICE Firmware Updates with HFR and more
We had a chance to talk to Sony about the new firmware 4.0 for the Sony VENICE. The big...
Cine Gear: Canon Shows Off Sumire Prime Lenses
Sporting t-shirts showing the Cine Gear 2019 attendees how exactly to pronounce Sumire, Canon’s new PL Prime Lens line...
ARRI Signature Prime and Mini LF Event: Sim Video, Vancouver
Come see me on June 6th at Sim Video in Vancouver, B.C., where I’ll co-present a session on ARRI...
Four lenses: a visual comparison, part 2
It’s time to name names. I’m going to tell you what lenses you’ve been looking at for the last...
Four lenses: a visual comparison, part 1
We live in an age of lens choice. Because of this, we also live in an age of lens...