Cine Gear: Lumix S1H Full-Frame DSLM
Panasonic rolled out the full-frame Lumix S1H at Cine Gear Expo with a presentation, a demo film, and a...
Panasonic announces new 1.4x and 2x teleconverters for LUMIX S lenses
Transform the LUMIX S PRO 70-200mm F4 O.I.S. in a 400mm lens through the magic of the new DMW-STC14...
LUMIX S1H: mirrorless mobility with professional cinema quality
Designed especially for film production, the LUMIX S1H shows that Panasonic is not afraid to create a camera that,...
The Filmtools Podcast Eps. 4 with Director Cole Walliser
Each week The Filmtools Podcast will talk with industry professionals in a candid conversation about their career, relevant news...
Panasonic AK-UC4000 approved for Netflix content production
Panasonic’s AK-UC4000 4K/HD HDR received recently a new firmware update that includes V-Log output, making it fully compatible with...
NAB 2019: Michael Bergeron on the Move to IP
At NAB I talked with Michael Bergeron, Product Manager of Studio Camera Systems at Panasonic, about the move to...
NAB 2019 – Panasonic EVA Live Takes a Cinema Style Camera and Adds Studio Camera Features
At NAB 2019, the PVC team stopped by the Panasonic booth to take a look at EVA Live from...
Panasonic “Smart Studio”at NAB 2019 shows the future of live production
Visitors to Panasonic’s booth at NAB 2019 can see the AW-UE150, Panasonic’s new 4K/HD pan/tilt/zoom camera, in action. It’s...
DxO PhotoLab 2.2: faster and with additional camera support
Support for the Nikon Z6 and the DJI Mavic 2 Zoom drone are some of the new features of...
LUMIX FZ1000 II and LUMIX ZS80: long zooms, 4K PHOTO and video
Able to record high-resolution 4K video in 3840×2160 at 30p or 24p in MP4, the LUMIX FZ1000 II and...
