CREATING YOUR OWN DCP’S – GETTING STARTED
One question that I get asked a lot is, “How do I create my own DCP’s for delivery to...
The first 30 days (or so) of Media Composer First
Well, we’re running into the first 30 or so days of Media Composer | First, the long awaited (two...
Let’s Edit with Media Composer | First – Lesson 2 – Managing Your Settings
If you’re ready to take the plunge, and start working in Media Composer | First, we’re here to help...
FREE Symphony Option When You Upgrade & Reinstate Avid Media Composer
Update your software, reinstate your Avid Support Plan, and get the Symphony option for only $385. Hurry – Offer...
Let’s Edit with Media Composer – Working with Mask Margins
In this Let’s Edit with Media Composer lesson, Kevin P McAuliffe talks about a great feature added in version...
Rampant Design Tools – Flare Essentials
Besides a great product line, one of the many things that Rampant Design Tools has is selection. They have...
The cat is out of the bag: Canon EOS C200
The new Canon EOS C200 introduces a new RAW recording format: Cinema RAW Light. Smaller file sizes saved internally...
Avid’s slide about the future of Media Composer
One of the most intriguing things I saw come out of NAB 2017 wasn’t on the show floor of...
Let’s Edit with Media Composer – Power Editing Tips – Transitions
In this Let’s Edit with Media Composer lesson, Kevin P McAuliffe talks about some power editing tips, when it...
Avid enters the FREE NLE market
With Media Composer | First, Avid expects to grab the attention of aspiring filmmakers, editors, or anyone who has...