RØDECaster Pro: How to broadcast live without any computer
Updated article, January 13, 2019. After my second article about the RØDECaster Pro, a series of tweets initiated by Rob...
RØDECaster Pro-an unappreciated gem for LIVE production
The ideal tools for LIVE production and broadcast are often different from those used for the opposite production process,...
RØDECaster Pro audio console-first look
The Australian microphone manufacturer RØDE has just announced its new RØDECaster Pro audio integrated console for live or live-to-drive...
Cleanfeed: remote recording and live broadcasting that’s better than a double-ender
In BeyondPodcasting episode 7, I have a detailed conversation with Marc Bakos of Cleanfeed, the online service that allows...
NewTek, Vizrt & Cisco show virtualized products at NAB 2018
NewTek, Vizrt and Cisco will conduct a joint demonstration of virtualized live IP video production and control room automation...
Datavideo NightHawk low-light camera & more at NAB 2018
At NAB 2018, Datavideo is introducing its NH-100 NightHawk low-light camera, which uses your Android or iPhone/iPad/iPod Touch as...
Apple & Teradek to support H.265, but can we use it yet?
We all want to be able to use H.265 instead of the “old fashioned” H.264 to get higher efficient...
Titan: live-switch a “3-camera show” from one 4K feed
Convergent Design has found yet another way to enhance the Odyssey and Apollo monitor/recorders. The Titan HD Extract option, available...
NewTek introduces IP Series modular video production system
Today NewTek introduced its IP Series, a software-based, modular audio/video production system with virtually limitless access to sources and...
Multitrack audio for best control later, versus live mix
In field production or in the studio, ideally, we record every audio source on its own track for absolute...
