Sony FX5: Sony Finally Listened, But Is There Still Room for an FX7?
After months of speculation, Sony has officially unveiled the FX5, the newest addition to its Cinema Line. More importantly,...
It’s 2026 and my Unreal Engine 5 learning continues.
Last year I started to learn Unreal Engine 5 and, as many projects do, it got sidelined as life...
In Depth – Continuum 2022 for Media Composer
There are things that go well together. Peanut Butter and Jam, Vanilla Ice Cream and Chocolate Syrup and Media...
ART OF THE CUT with Jake Roberts, ACE, on editing “Devs”
In this interview, I’m talking with Jake Roberts, ACE. I have spoken with Jake twice before, for the 2015...
iClone 7: unmatched in the industry
It’s a tour de force that is unmatched in the industry, says Jeff Jasper, Oscar-winning team member/FX Supervisor Interstellar,...
Lightworks 14: new features and interface
The latest version of Lightworks NLE, focuses on providing the next generation of video creators a toolset that is...
Final Cut Pro X: New Titles and Special Effects
Presets are a special kind of magic when it comes to workflows. Pixel Film Studios has a huge collections...
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