codec

New Blackmagic RAW códec: what the industry needed

New Blackmagic RAW códec: what the industry needed

Blackmagic just released its new RAW video códec. This is especially helpful for those who demand the most latitude when doing serious grading (aka el etalonaje in Castilian, l…

Why ProRes RAW?

Why ProRes RAW?

Apple announced ProRes RAW back at NAB in April. But why? What does ProRes do for production and post production that hasn’t already been done? We’ll take a…

Everything you need to know about REDCODE RAW

Everything you need to know about REDCODE RAW

RED Tech is back, with a new video sharing the possibilities of REDCODE RAW and how, ays RED, the codec becomes more efficient as the resolution increases. The technology REDCODE…

Secrets of Cinedeck

Secrets of Cinedeck

As more than a replacement to the linear tape deck, Cinedeck has branched much further out from hardware solutions to now offering a variety of useful, and mostly free software…

Term of the week: Codec

Term of the week: Codec

Codecs are the workhorses of digital video. But what’s the origin of the term and what exactly are they? Click through for this week’s free glossary term from…

After Effects Bootcamp for Avid Editors Part 2 with Kevin P McAuliffe

After Effects Bootcamp for Avid Editors Part 2 with Kevin P McAuliffe

Editors wear tons of hats these days and, more and more, clients are asking editors to create motion graphics. In many cases it’s not the basics of After…

Windows ProRes: First Impression

Windows ProRes: First Impression

I’ve missed ProRes. I’m used to jumping between Mac and Windows, and I often say that once I’m in Adobe-land I can’t tell the difference…

5 Things: Post Myths

5 Things: Post Myths

In the first episode of 2017, Michael debunks some popular post production myths and misconceptions. We’ll look at common color, codec, sound, and storage fallacies that keep popping…

Media Composer 101 – Advanced – Multi-Channel Audio Exports

Media Composer 101 – Advanced – Multi-Channel Audio Exports

In this lesson, Kevin P McAuliffe talks about Multi-channel audio exports from Media Composer, and how DNxHD doesn’t always need to be your export codec of choice…

Codecs, Codecs, Codecs – The most confusing aspect of editing

Codecs, Codecs, Codecs – The most confusing aspect of editing

As the title says, Codecs are probably the single most confusing thing in editing, especially in Media Composer.  Most editors don’t know that Media Composer supports a ton…