Your camera does not have a color gamut
Yes, it’s true: your camera has no color gamut. Don’t believe me? Good, ’cause I’m going to try to...
Split SDI ports, or: how to hack an Arri Mini
“My assistant says it’s impossible,” said the Steadicam operator over coffee at Arri headquarters in Burbank. “The DIT wants...
Wildlife and nature as seen through a RED
Shannon Wild and Russell MacLaughlin, Paul Nicklen, Andy Casagrande and Asgeir Helgestad all have a passion for nature and...
The Sony 6K VENICE Menu Simulator Online Now
Camera Assistants, Owner – Operators, and DPs the Sony VENICE Menu Simulator is online and waiting for you and...
Sekonic L-858D Light Meter Review
Last summer I replaced my trusty Sekonic L-758Cine light meter with the new L-858D model. The 858D features a...
Sony Adds Dual Base ISO To Their Soon To Ship VENICE
The new version 1.0 features added to the VENICE will include support for Full-Frame 24x36mm recording in time for...
The Blackmagic Design URSA Broadcast Camera
In their new camera announcement, Blackmagic Design dropped the “Mini” in the URSA Broadcast camera name. Read into it...
Panavision’s new DXL2: Monstro dialed up to “11”
Panavision’s DXL2 is a unique offering, backed by a unique color pipeline. This is not your average Monstro. When...
Blackmagic Feb 1st Broadcast New Products Announcements
Today, Blackmagic Design took the opportunity to live stream their new 2018 broadcast product updates. On-screen Blackmagic CEO, Grant...
The large format look, continued: shallow focus and stressing old lenses
I’ve been getting some play time with RED’s new Weapon camera with a Monstro sensor at Videofax in San...
