ART OF THE CUT with Avengers – Infinity War editor, Jeffrey Ford, ACE
Jeffrey Ford, ACE has been working in the Marvel Universe for several years. His previous projects include: Doctor Strange...
ART OF THE CUT with Melissa Kent of on editing “Traffik”
Melissa Kent is an Eddie nominated editor with more than two dozen feature films under her belt, including Age...
ART OF THE CUT with “A Quiet Place” editor, Chris Tellefsen, ACE
Editor Christopher Tellefsen has a great body of work. Starting as an assistant editor on The Color of Money...
AMD Ryzen CPU: 2nd generation arrives soon
Announced as the ultimate desktop CPU for high-performance computing, the 2nd generation AMD Ryzen desktop processors lineup includes two...
ART OF THE CUT with “Rampage” editors Jim May and Bob Ducsay
Editors Jim May, ACE and Bob Ducsay have worked together numerous times, including Deep Rising, The Mummy, and Van...
Avid updates Media Composer, lays out the future at NAB Show 2018
I was teaching NAB Post|Production World classes on Saturday morning of NAB 2018 when Avid’s new CEO Jeff Rosica...
ART OF THE CUT with Ben Mercer on editing “Unknown Soldier” in FCP-X
Benjamin Mercer has been a feature film editor for more than a decade, after transitioning from a successful high-profile...
Hindenburg adds -14 LUFS & Avid Pro Tools interoperability at NAB 2018
Hindenburg has just informed me officially that at NAB 2018 next week, they’ll be announcing a few new key...
ART OF THE CUT with RED SPARROW’s Alan Edward Bell, ACE
This is not my first conversation with veteran editor, Alan Edward Bell, ACE. You can read about the editing...
ART OF THE CUT: Spencer Averick, ACE on A Wrinkle in Time
Spencer Averick, ACE has a filmography going back over a decade. His work with his A Wrinkle in Time...
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