DAW – 28 Weeks of Post Audio Redux
Editor’s Note: “28 Weeks of Post Audio” originally ran over the course of 28 weeks starting in November of...
ART OF THE CUT with the editors of Netflix’s “Ozark”
I interviewed Cindy Mollo, ACE and Vikash Patel about their work on the stellar Netflix series, Ozark. Cindy’s TV...
ART OF THE CUT editing “Adrift” with Oscar-winner John Gilbert, ACE
John Gilbert, ACE, started as an assistant editor in his native New Zealand in 1980, under Oscar-winner, Jamie Selkirk,...
Moving Metadata Between Avid and Final Cut Pro X
This week on MacBreak Studio, special guest Mike Matzdorff shows us how to roundtrip custom metadata between Avid and...
ART OF THE CUT with the editors of “The Handmaid’s Tale”
“The Handmaid’s Tale” is a critical success and one of the many gems of TV’s new “golden era.” It...
ART OF THE CUT with Alex O’Flinn of indie sensation, “The Rider”
In 2014, Alex O’Flinn was awarded Sundance’s Sally Menke Memorial Film Editing Fellowship. He has edited The Bad Batch,...
State of the NLE at Faster, Together 2018
The Right Editing Software We’ve all at least seen it happen. Someone mentions an editing software. Someone else derides...
ART OF THE CUT with Oscar-winning editor, Joel Cox, ACE
There are a few famous pairings of directors and editors: Martin Scorsese and Thelma Schoonmaker, ACE; Steven Spielberg and...
ART OF THE CUT AUDIO INTERVIEW with Anne V. Coates, ACE – in memorium
I am so sorry to hear of the passing of one of the legendary, Oscar-winning film editors, Anne V....
ART OF THE CUT with Oscar-winner Tom Cross, ACE on “Hostiles”
Tom Cross, ACE, is an Oscar winner for his editing of Whiplash. He was last nominated for an Oscar...
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