Surviving the software jungle
One of the greatest dangers to modern digital artists is getting locked into a single software package. The fortunes...
Mixers – 28 Weeks of Post Audio Redux
Editor’s Note: “28 Weeks of Post Audio” originally ran over the course of 28 weeks starting in November of...
ART OF THE CUT with Ant-Man and the Wasp’s Craig Wood, ACE
Craig Wood, ACE has worked on a list of hit films that put him in the upper echelon of...
5 minutes with Avid Media Composer 2018.7 and the new LIVE TIMELINE
5 minutes wasn’t nearly enough time to truly test out LIVE TIMELINE in the new Avid Media Composer 2018.7 updated...
ART OF THE CUT with Oscar nominee, Mark Goldblatt, ACE
There are very few editors with a resume as filled with hit after hit, like Oscar nominee Mark Goldblatt,...
DAW – 28 Weeks of Post Audio Redux
Editor’s Note: “28 Weeks of Post Audio” originally ran over the course of 28 weeks starting in November of...
ART OF THE CUT with the editors of Netflix’s “Ozark”
I interviewed Cindy Mollo, ACE and Vikash Patel about their work on the stellar Netflix series, Ozark. Cindy’s TV...
ART OF THE CUT editing “Adrift” with Oscar-winner John Gilbert, ACE
John Gilbert, ACE, started as an assistant editor in his native New Zealand in 1980, under Oscar-winner, Jamie Selkirk,...
Moving Metadata Between Avid and Final Cut Pro X
https://www.youtube.com/watch?v=twoaNnu_ytM&feature=push-u-sub&attr_tag=d6MWI_2CCzWgsec9-6 This week on MacBreak Studio, special guest Mike Matzdorff shows us how to roundtrip custom metadata between Avid...
ART OF THE CUT with the editors of “The Handmaid’s Tale”
“The Handmaid’s Tale” is a critical success and one of the many gems of TV’s new “golden era.” It...
