Hybrid review: RØDE M5 microphone with a “foreign” accessory for voice/vocal
There are many reviews of the Australian RØDE M5 microphone, but all for instrumental or choral applications. That’s why...
Workflow – 28 Weeks of Post Audio Redux
Editor’s Note: “28 Weeks of Post Audio” originally ran over the course of 28 weeks starting in November of...
La La Land – 28 Weeks of Post Audio Redux
Editor’s Note: “28 Weeks of Post Audio” originally ran over the course of 28 weeks starting in November of...
BeyondPodcasting 3: Audio plugins + more, with Chris Curran
In BeyondPodcasting episode 3, Allan Tépper discusses audio plugins and more with Chris Curran of Podcast Engineering School. Ahead...
Review: Antlion Audio XLR Power Converter vs VXLR+
Antlion Audio recently introduced its new US$24.95 XLR Power Converter which now directly competes with RØDE’s US$25 VXLR+ which...
RØDE team members granted two US patents for firsts in microphone technology
Australian pro audio company RØDE Microphones announced that two of its team members have recently received US patents through...
Forensic audio: Jason Levine of Adobe demonstrates with Audition
Yesterday, Jason Levine used Adobe Audition to perform a forensic audio demonstration/study during his live Internet broadcast. Even though...
LUFS audio standards update for May 2018
Since I published How many LUFS for ideal audio loudness? Why can’t we be friends? in March, both Adobe...
Review: JK Audio BlueDriver-F3 wireless Bluetooth transceiver for ENG
At NAB 2018 in Las Vegas, I got my first real opportunity to test JK Audio’s BlueDriver-F3 wireless Bluetooth...
How many LUFS for ideal audio loudness? Why can’t we be friends?
The recent audio loudness war reminds me of the 1975 hit song Why can’t we be friends?. As I...
Latest
Post Production
