Review: Sennheiser HandMic Digital with “secret” hardware limiter
The HandMic Digital from Sennheiser is the only dynamic mic I’ve encountered that ships with a Lightning cable, since...
Directly attach iRig Pre HD to an ENG omni dynamic mic
After my review of the Senal ENG-18RL omnidirectional dynamic microphone for ENG (electronic news gathering) in 2016, my friend...
Review: RØDE VXLR+ phantom power to plugin power converter
Since the dawn of microphones, there have been two greatly different types of signals: balanced and unbalanced. Since the...
Build your dynamic microphone modularly: Pyle PDMIC78 with Shure accessories
Some people call the Pyle PDMIC78 a knockoff of the Shure SM57. That description is true regarding the physical...
Review + comparison: iRig Pre HD cross platform audio interface
In this article, I’ll review the new <US$100 iRig Pre HD cross platform audio interface, with preamp and A-to-D...
Review: iRig Mic HD 2 handheld digital microphone
Back in 2014, I reviewed the original <US$130 iRig Mic HD handheld digital microphone, which IK Multimedia released at...
Review: RØDE improves VideoMic Pro+ with several new features
For many years, I have been reviewing several different types of microphones. However, this is the very first time...
Balanced audio: benefits and varieties
Balanced audio is often combined with a 3-pin XLR plug, although it can also use a TRS or Tip/Ring/Sleeve...
Using ‘Synchronize’ in Premiere Pro
The Synchronize command in Adobe Premiere Pro won’t fix audio and video out-of-sync within a video file (retiming is...
Digital Sprockets transfers & restores classic Mexican films
Back in 2015, I published an article about why Digital Sprockets of México City prefers to edit video with...
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