RØDECaster Pro to add multitrack via firmware update
In response to virtual rocks thrown by some content producers who demanded multitrack capabilities, this morning at NAMM (National...
Michael Semanick – Storytelling with Sound
Michael Semanick is an award-winning rerecording mixer of some of the most creative and celebrated films to come out...
Review: Simply Sound SS-1 pre-preamp, like elevator shoes for dynamic mics
This is a review of the SS-1 pre-preamp from The Simply Sound Company from Salt Lake City (Utah, United...
RØDECaster Pro: How to broadcast live without any computer
Updated article, January 13, 2019. After my second article about the RØDECaster Pro, a series of tweets initiated by Rob...
RØDECaster Pro-an unappreciated gem for LIVE production
The ideal tools for LIVE production and broadcast are often different from those used for the opposite production process,...
Tascam US–2X2 preamp/A-D converter interface review
The Tascam US-2×2 is an audio interface which offers two mic preamps/A-D & D-A converters. Those two mic preamps...
Chromebook/ChromeOS audio production: a maturing platform
In several past articles, I have reviewed and provided workflows for Auphonic (the apps), Cleanfeed Pro and Hindenburg Journalist...
How to fix bad dialogue using EQ
Equalization is one of the most crucial steps in taming a soundtrack. It’s also the step at which most...
Sennheiser Memory Mic: the “wireless” mic/body recorder review
The Sennheiser Memory Mic is a “wireless” mic/body recorder that auto-synchronizes audio that it records with the companion app...
RØDECaster Pro audio console-first look
The Australian microphone manufacturer RØDE has just announced its new RØDECaster Pro audio integrated console for live or live-to-drive...
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LinkedIn: Networking, or Just Another Social Media Feed?
Post Production
