The Accidental CFO: Tax Flow for Freelancers
Suaoki G500: the ultimate portable power station
Energy to power a drone for nine hours or a laptop for 45 hours is what Suaoki offers in...
McQuaidFrame: a crop guide for vertical video
With vertical video continuing to be favored in social media, solutions like the McQuaidFrame aim to make life easier...
AirLinc for iOS goes multi-channel/multi-mic
Back in 2015, I reviewed AirLinc, an iOS app that converts your iOS devices (iPhone/iPad/iPod Touch) into a wireless...
The best medium-format cameras for video
The rumors of Canon’s medium-format camera are, as of yet, still rumors, but there are other names to check...
Beyond Podcasting 1: Sacred terminology—podcast, radio and television…
In the first BeyondPodcasting episode, Allan Tépper and guest Memo Sauceda discuss sacred terminology and its proper use: podcast, radio and television… on-demand, by appointment, prerecorded and truly live. References are made...
Buy the Pentax K-1 Mark II or upgrade the K-1?
Developed as the successor to the Pentax K-1 full-frame DSLR camera launched in April 2016, the new K-1 Mark...
The film look: what is it, and why are there two of them?
The film look is an elusive thing. Everyone has their favorite flavor, but there are two basic, yet opposite,...
Traditional camcorders in the era of mirrorless/HDSLR cams
Mirrorless and HDSLR cameras get most of the press attention nowadays. However, there are still many content producers who...
Pix: Venice in Portland
Sony’s Venice full-frame CineAlta camera had its Portland debut at Koerner Camera today, courtesy of BandPro‘s Jeff Cree. At...
Review: the Agua Stormproof Versa backpack
Announced last August, through an Indiegogo campaign, the Agua Stormproof Versa Backpack is an intelligent choice if you spend...
Gear & Beers Preview
Good news everyone! To cap the month off in spectacular fashion, on Wednesday, February 28th Filmtools will be throwing...
Alexa 65 shows that large format TV makes a difference in “Altered Carbon”
I’m eight episodes in to Netflix’s Altered Carbon, and I’ve officially become a believer in large format TV cinematography....
Interview with ILION Animation Studios in Spain
At THU in Portugal, I got to interview a recruiter from ILION Animation Studios. Ahead I’ll share the interview...
Your camera MAY have a color gamut: further musings on camera color pipelines
My last article resulted in some new input on color gamuts. Here’s what I think I know now. Before...
