William Goldenberg, ACE was nominated in 2013 for TWO Oscars for Best Editing: for Argo and Zero Dark Thirty,...

The following are Oscar nominees with links to Art of the Cut interviews with the film editors involved. ART...

In this lesson, Kevin P McAuliffe talks about how to create organic looking film looks inside of Avid Media...

A year ago, Maryann Brandon was nominated for an Oscar for Best Editing for Star Wars: The Force Awakens....

I get these emails from “Sara at CrumplePop”, spruiking all sorts of clever plugins for FCPX. Normally I resist the...

What’s the most inefficient part of your workflow? It’s a big question with answers that can range from the...

Thelma Schoonmaker, ACE is an iconic presence in the world of editing. Arguably, no name is known better in...

Jennifer Lame started working as an assistant editor on TV shows like 30 Rock and Smash before joining editing...

2500 megabytes per second drives. Dual 4K displays. External PCIe system expansion. Thunderbolt is no longer just a faster...

As ProVideo Coalition starts a new year we would like to unveil a free after-Christmas present for all of our readers:...

An in-depth virtual production switcher made super easy makes broadcasting live to the web with Telestream’s Wirecast 7 a...

Very few editors cross back and forth between animation and live action. They are – at the same time...

This week on MacBreak Studio, I show Ripple Training’s Steve Martin some tips for making audio editing in Final...

Art of the Cut congratulates all of the nominees. Many of the nominees have done interviews with Art of...