Continuing in yesterday’s vein of using an external input device today’s Quicktip comes to us from Alex Gollner (that’s...

In the second part of our look at 4K workflows inside of Media Composer Subscription, we take a look...

During his 2015 State of the Union Address, President Obama spoke about unions saying, “We still need laws that...

Going back to keyboard discussions for today’s Quicktip I always remap the H key on most NLEs (that’d be...

The following is my detailed review of a pre-production Zacuto Gratical HD EVF unit. The production version of Gratical...

One could almost say that cinematographers can pass this one: Canon slimmed down the video and enhanced the photographic...

The new Rebel options from Canon, the EOS Rebel T6s and EOS Rebel T6i cameras (EOS 760D and EOS...

The Los Angeles Post Production Group (LAPPG) is an organization for digital filmmakers with an interest in post-production and...

One of the most basic but important things you must know on set is how to configure and use...

I recently had the opportunity to interview Ryan McMaster with Volant Productions and his Freefly Systems CineStar Heavy-Lift Octo...

The Final Cut Pro X Skimmer is an awesome thing. But you still have a traditional playhead when working...

As part of the transition of That Post Show into That Studio Show, our own Scott Simmons will be...

2014 was a big year for PBS, as it marked their 45th anniversary as a broadcaster. That wasn’t the...

One fundamental concept of Final Cut Pro X and its trackless timeline is Connected Clips. When editing clips outside...