Is the film industry really ready for 12K? What it takes to create impressive sensors for cinema cameras 3
Support ProVideo Coalition
Shop with

What Do You Think? Let Us Know.

Subscribe
Notify of
guest
5 Comments
Oldest
Newest Most Voted
Inline Feedbacks
View all comments
John Rupkalvis

As long as there is still only one sensor and only one lens, the image quality will be inferior. You need stereoscopic 3-D for good imaging. Even standard definition 3-D is superior to 12K 2-D. 2-D images that are squashed flat are a severe distortion.

John Rupkalvis

As long as there is still only one sensor and only one lens, the image quality will be inferior. You need stereoscopic 3-D for good imaging. Even standard definition 3-D is superior to 12K 2-D. 2-D images that are squashed flat are a severe distortion.

James Rathmore

The answer to the question Hollywood ready for 12K will be made by 1) major digital cinema camera rental operations and 2) D.P.’s, Studio and Post-production facilities. The principals will have to answer if a need exist and will it be financially viable for the parties to invest in such technology. The dream of 12K will not be taken from a line in the movie Field of Dreams “If you build it, He will come” unless there is a viable return on investment plan.

João Augusto Quint de Souza

Not for the average middle production companies, I suppose.

You Might Also Like