An Art of the Cut Essay – no interview but lots of quotes
Riffing on the video “5 Things Film Editors Literally Do – According To Science.” I was really inspired by...
NAB: Quick notes from Sony
Sony’s Sunday press conference covered quite a few things. I’ll focus on just a few. New Cameras Sony’s Peter...
NAB: Do Androids Dream of Making Movies?
“Do Androids Dream of Making Movies” was part of the Future of Cinema conference track at NAB. Annie Chang,...
Apple prepares a new Final Cut Pro X update for NAB 2018
NAB 2018 will see an update to another NLE as Final Cut Pro X will hit version 10.4.1. This comes...
Akitio Node Pro: Your MacBook Pro on Speed
This article took a long time to put together. There were many forces conspiring against me: from the great...
Split SDI ports, or: how to hack an Arri Mini
“My assistant says it’s impossible,” said the Steadicam operator over coffee at Arri headquarters in Burbank. “The DIT wants...
Congratulations to BAFTA Best Editing Winner
Art of the Cut congratulates Paul Machliss and Jonathan Amos for winning the BAFTA for Best Film Editing for...
Filmmaker Friday Featuring Filmmaker Brian Aichlmayr
With hundreds of careers and opportunities, the filmmaking industry can be a unique experience for a filmmaker. Filmtools decided...
Some clips from Quantel’s “Clips”
As one year finishes and another begins, it’s traditional to look back and reflect on the last 12 months....
The “large format” look: Sigma primes on a RED Monstro, in 8K
What’s the big deal about large format cinematography? Shallow focus on wide shots. It’s a big deal. One of...
